Tonight at 18:30, the London Symphony Orchestra presents one of its Half-Six Fix Concerts— a relaxed, early-evening format designed to bring audiences closer to the music. Join for a concise but rich exploration of Rachmaninoff’s Symphony No. 1.

Half-Six Fix offers a concert experience with a shorter duration and an engaging musical focus. Introduced by the performers, with screens in the Hall to bring you closer to the action.

#LondonSymphonyOrchestra @gianandreanoseda @londonsymphonyorchestra

From the delicate balance of Beethoven’s Eighth to the passionate flourishes of Bruch’s violin concerto, Fabio Luisi and Sergej Krylov took Filarmonica della Scala on a journey to the threshold and heart of Romanticism.

@fabioluisiconductor
@maestrosergejkrylov
@teatroallascala

Photo: @andreaveroniph
Reposted from @filarmonicadellascala

Daniele Rustioni conducts the Orchestra del Maggio Musicale Fiorentino in Orvieto for the annual Easter concert.

The programme includes the overture from Richard Wagner’s Tannhäuser and Symphony No. 2 by Johannes Brahms.

The concert will be broadcast on Rai 1 this Friday, 3 April, at 22:45.

@danielerustioni @rai1official @maggiomusicale

#DanieleRustioni #MaggioMusicaleFiorentino

The recording of Macbeth, in the French version performed in Paris in 1865, conducted by Roberto Abbado at the Teatro Regio in Parma, inaugurating the 2024 Verdi Festival, will be available on DVD and Blu-ray from April 17 for @dynamic_opera_italy.

Performed by @latoscanini and the @artisti_coro_di_parma, prepared by Martino Faggiani, for the show conceived by Pierre Audi and featuring, among others, @ernestopetti_ (Macbeth), @lidiafree (Lady Macbeth), @michelepertusi (Banquo), and @lucianoganci (Macduff).

Enjoy the show!

#verdi #macbeth

Join us on 23 February 2026 at 20:00, at Teatro alla Scala in Milan.

Fabio Luisi leads an evening dedicated to German symphonic repertoire, opening with Weber’s Oberon Overture, where the magical world of fairies and knights comes to life in one of the early masterpieces of Romanticism. The programme continues with Bruch’s Violin Concerto No. 1 in G minor, performed by Janine Jansen, a work beloved for its lyrical intensity and virtuoso brilliance.
The concert concludes with Beethoven’s Symphony No. 8.

Ph: Monica Rittershaus
#FabioLuisi #FilarmonicadellaScala

Discover the new website dedicated to THE NOSEDA EFFECT, a documentary offering an intimate portrait of conductor Gianandrea Noseda, following his artistic journey across major musical institutions and exploring the human, cultural, and artistic vision behind his work.

The site brings together all information about the project and provides direct access to the platforms where the documentary is available to watch.

Learn more about the project at thenosedaeffect.com!

#AMCartists @gianandreanoseda @semantixcreative

Congratulations to @gianandreanoseda for receiving an Honorary Fellowship of the Guildhall School from Jonathan Vaughan!

On air on 17 March at 19:30: the broadcast of the concert recorded at the Brucknerhaus Linz on 11 February 2026, featuring the Prague Radio Symphony Orchestra under Alevtina Ioffe, with violinist Timothy Chooi as soloist.

The programme moves from Bohuslav Martinů’s Overture H.345 to Max Bruch’s Violin Concerto No. 1, followed by Antonín Dvořák’s Romance for violin and orchestra and the Symphony No. 8 — a journey through Central European orchestral tradition combining virtuoso solo writing and symphonic lyricism.

The concert will be broadcast on Ö1 as part of the series Ö1 zu hören.

#PragueRadioSymphonyOrchestra #AlevtinaIoffe #TimothyChooi
Photo: LIVA Brucknerhaus Linz

Today @operzuerich and @fabioluisiconductor celebrate the premiere of «Cardillac» by Paul Hindemith. In his production, the Hungarian film and theatre director Kornél Mundruczó tells the story as a gripping stage thriller.

Toi toi toi to Gábor Bretz in the title role and to the entire ensemble: Anett Fritsch as the Daughter, Michael Laurenz as the Officer, Stanislav Vorobyov as the Gold Dealer, Sebastian Kohlhepp as the Cavalier, Dorottya Láng as the Lady, Brent Michael Smith as the Leader of the Prévôté, and Stanislav Hnat as the King.

A heartfelt toi toi toi also goes to director Kornél Mundruczó, conductor Fabio Luisi, the orchestra, the chorus, the supernumeraries’ association of Oper Zürich—and to everyone in front of, behind, and alongside the stage who contributes to this premiere evening.

📅 CARDILLAC | February 15 – March 10, 2026⁠

⁠
@fabioluisiconductor @kornelmundruczo @gaborbretz @anett.fritsch @laurenz.michael @stanislav_vorobyev_zh @sebastiankohlhepptenor @lang.dorottya @bmsbass @chor_operzuerich @statistenverein
Photos reposted from @operzuerich

Ustina Dubitsky made her debut with the Münchner Symphoniker in Flirtation.
Together with them the tenor Rodrigo Carreto in a program that brings together works by Haydn, Fauré, Britten, Bizet, and Mendelssohn Bartholdy, among others, exploring different shades of love across styles and periods.

Ph: Susanne Diesner
@udubitsk

@bbcsymphonyorchestra and @danielerustioni rehearsing Rachmaninov’s Third Symphony inside the Barbican Hall.

Video reposted from @bbcsymphonyorchestra

Orchestra del Teatro Carlo Felice di Genova performs Wagner’s Tristan und Isolde under the direction of Donato Renzetti.

This cornerstone of the operatic repertoire, with its profound exploration of love, longing, and transcendence, unfolds through some of Wagner’s most expressive and transformative music.

Performances:
• Friday, 13 February 2026 — 18:30 (Premiere)
• Sunday, 15 February 2026 — 15:00
• Friday, 20 February 2026 — 18:30
• Sunday, 22 February 2026 — 15:00

#AMCartists #DonatoRenzetti #TeatroCarloFeliceGenova
@donato_renzetti_official
Reposted from @operacarlofelicegenova