@jeremierhorer conducts @dkambremen for the orchestra’s ongoing Tchaikovsky project, leading a series of concerts dedicated to the Russian composer’s symphonic world.

Together with @fabian_mueller_pianist, Maestro Rhorer conducts Johannes Brahms’s
Piano concerto No. 2 in B-flat minor op. 83
and Peter Ilyich Tchaikovsky’s
Symphony No. 4 in F minor op. 36. The concert explore the breadth of Tchaikovsky’s orchestral language — from lyrical expansiveness to deep emotional intensity — through Rhorer’s detailed and historically informed musical approach.

Michele Mariotti leads an evening that reflects a clear artistic vision, bringing together music by Richard Strauss and Franz Schubert in a program shaped with coherence and attention to detail. His approach emphasizes structure and continuity, offering a reading that connects contrasting sound worlds with balance and intent .

Joined by the Orchestra del Teatro dell’Opera di Roma, the performance highlights the ensemble’s versatility and responsiveness, supporting the conductor’s interpretation throughout the program Mariotti. Visioni d’addio 🎻

The concert takes place at Teatro Costanzi on May 28 at 8:00 PM 📍🗓️

Jérémie Rhorer continues his collaboration with Die Deutsche Kammerphilharmonie Bremen in the orchestra’s ongoing Tchaikovsky cycle, with performances dedicated to the Russian composer’s symphonic and concerto repertoire.

Together with pianist Fabian Müller, Rhorer leads programmes centred around some of Tchaikovsky’s most iconic works, including the powerful Symphony No. 4, the lyrical Symphony No. 3 “Polish”, and the celebrated Piano Concerto No. 1. These concerts are part of a broader European tour exploring the emotional depth, dramatic contrasts and orchestral richness of Tchaikovsky’s music.

#AMCartists

Marking his debut with the Filarmonica del Teatro Comunale di Bologna, Nicolò Umberto Foron leads a program that brings together clarity of form and expressive contrast, guiding the musical discourse with a precise and attentive approach.

With the Filarmonica del Teatro Comunale di Bologna, the concert features pianist Emanuel Ax as soloist in Mozart’s Piano Concerto No. 22 in E-flat major, K. 482, a work defined by balance and dialogue between soloist and orchestra. The program continues with Sibelius’ Symphony No. 1 in E minor, Op. 39, where evolving textures and orchestral color shape a coherent musical narrative.

The performance will take place on May 25th at 8:30pm at the Auditorium Manzoni.

Ph: Jana Stein

Together with the Zhejiang Symphony Orchestra, Ion Marin conducts a concert exploring three distinct sound worlds. Pianist Song Siheng joins for Ravel’s Piano Concerto for the Left Hand, offering a focused and compelling interpretation of this unique repertoire.

The program opens with Tchaikovsky’s Romeo and Juliet Fantasy Overture, followed by Ravel, and concludes with Stravinsky’s The Firebird (1910 edition), a work that highlights the orchestra’s full range and precision 🔥
Join us on 24th May at 7:30pm at the Hangzhou Canal Grand Theatre Opera Hall for an evening of thoughtful performance and vibrant orchestral sound

Ph: STAS LEVSHIN

@operzuerich Music Director @gianandreanoseda conducts ballet at the Opernhaus Zürich for the first time, leading Prokofiev’s monumental score for Romeo und Julia.

In Cathy Marston’s new production, Shakespeare’s timeless tragedy meets musical and dramatic intensity at the highest level — marking a significant artistic moment for the company and its Music Director, whose earlier experience conducting ballet at the Mariinsky Theatre shaped an important part of his artistic path.

@ballettzuerich

Dmitry Matvienko takes the podium for Mahler’s Seventh Symphony joined by Aarhus Symfoniorkester in collaboration with the Randers Kammerorkester, bringing together two ensembles in a performance that emphasizes precision and orchestral depth.

Mahler’s Seventh remains one of his most enigmatic symphonies, marked by dark tonal colors and a shifting sound world. The music suggests a landscape in transformation, where night, shadow, and uncertainty emerge through a continuous orchestral flow

The concert takes place at Symphony Hall, Aarhus Music Hall on May 21 at 7:30 PM
@d.matvienko.conductor @aarhussymfoni

Alevtina Ioffe conducts the Staatskapelle Weimar in an Afterwork Concert at the Weimarhalle, featuring a programme that moves between Classical clarity, Romantic intimacy and vivid orchestral colour.

The evening opens with Mozart’s Bassoon Concerto in B-flat major, KV 191, followed by Wagner’s tender and personal Siegfried Idyll, written as a musical gift to Cosima Wagner. The programme concludes with Respighi’s evocative Gli Uccelli (The Birds), a suite that transforms early music inspirations into a colourful orchestral portrait of nature.

@alyaioffe @dntweimar

The Orchestra della Svizzera italiana has announced its 2026/27 season, opening with Jérémie Rhorer conducting the inaugural concert at the LAC Lugano on 1 October 2026.

Joined by cellist Maximilian Hornung, Rhorer leads a programme spanning French elegance, Soviet introspection and neoclassical brilliance, featuring Fauré’s Pavane, Shostakovich’s Cello Concerto No. 2, and Stravinsky’s Orpheus. A programme that reflects the artistic breadth and strong musical identity of the new OSI season.

📍 LAC Lugano Arte e Cultura
🗓 1 October 2026 | 20:00
#AMCartists