Dmitry Matvienko returns to Teatro San Carlo on Sunday, March 22, 2026, at 7:00 PM.

The program features Wolfgang Amadeus Mozart’s Symphony No. 35 in D major, K. 385 “Haffner,” followed by Gustav Mahler’s Symphony No. 4 in G major, a work that combines clear orchestral writing with a more intimate character. The soprano solo part in the final movement will be performed by Marina Monzò.

#TeatroSanCarlo #Mozart #Mahler #ClassicalMusic #OrchestraTeatrodiSanCarlo
@teatrosancarlo @d.matvienko.conductor

Daniele Rustioni makes his debut with the Dallas Symphony Orchestra where he conducts three performances from 20–22 March 2026.

The programme brings together two striking works of the early twentieth century: Samuel Barber’s Violin Concerto, one of the most beloved concertos of the American repertoire, and Alfredo Casella’s Symphony No. 2 in C minor, presented in its Dallas Symphony premiere—a powerful and richly orchestrated score whose sweeping sonorities evoke the worlds of Strauss and Mahler.

📍 Dallas, Morton H. Meyerson Symphony Center

20 March 2026 – 7:30 pm
21 March 2026 – 7:30 pm
22 March 2026 – 2:00 pm

@dallassymphony @danielerustioni

For his San Francisco Symphony debut last weekend, conductor Daniele Rustioni led Brahms’s sun dappled Second Symphony & Dvořák’s impassioned Cello Concerto, with cellist Daniel Müller-Schott.

📷: Brittany Hosea-Small

@sfsymphony @danielerustioni @danielmuellerschott
Reposted from @sfsymphony

Gianandrea Noseda leads the Orchestre et Chœur de l’Opéra de Zurich on tour across Europe this March and April, with two distinctive programmes presented in some of the continent’s leading concert halls.

Alongside the 6th Philharmonic Concert of the Opernhaus Zürich (21 March), featuring soprano Regula Mühlemann, the orchestra will bring this programme to Opéra de Dijon (28 March) and the Elbphilharmonie Hamburg (1 April).

The tour also includes performances of Verdi’s Requiem, featuring Marina Rebeka, Agnieszka Rehlis, Joseph Calleja, and David Leigh. Performances will take place at the Philharmonie de Paris (22 March), Philharmonie Luxembourg (23 March), Isarphilharmonie Munich (25 March), Wiener Konzerthaus (26 March), Grand Théâtre de Provence, Aix-en-Provence (29 March), and the Elbphilharmonie Hamburg (30 March).

@gianandreanoseda @operzuerich @regulamuehlemann

Happy Birthday Maestro Karen Durgaryan!

We wish you all the very best for the year ahead, with many continued successes, good health and happiness.

We are very proud to work alongside you, supporting both your international career and the remarkable work he continues to carry out with the Armenian National Opera and Ballet Theatre. Your dedication to music and to the artistic development of the institution is truly inspiring.

@durgaryankaren @opera_and_ballet_theatre_

Christian Blex leads the Brussels Philharmonic in Magiciens du son on 14 March at 8:15pm at Flagey, Studio 4, Brussels. Recognised for his precise direction and clear musical vision, Blex shapes a programme that explores colour, tension and transformation across three distinct sound worlds.

The concert opens with Debussy’s Symphonic Suite from Pelléas et Mélisande, a refined journey into Impressionism where atmosphere and suggestion prevail. Philippe Boesmans’ Fin de nuit (2017) for piano and orchestra follows, creating an intense dialogue between soloist and ensemble, suspended between dream and dawn. The evening concludes with Wagner’s Vorspiel und Liebestod from Tristan und Isolde, a landmark of harmonic innovation and expressive depth.

@christian_blex @brusselsphilharmonic

Fabio Luisi leads the Orchestra del Teatro San Carlo on 14 March at 7pm at Teatro di San Carlo.

The programme opens with Mozart’s Piano Concerto No. 21 in C major, K 467, featuring Alessandro Taverna as soloist. Piano and orchestra engage in a refined exchange, highlighted by the well-known Andante. The concert continues with Beethoven’s Symphony No. 8 in F major, Op. 93, a compact symphony marked by rhythmic energy and structural precision.

Ph: Monika Rittershaus

Congratulations to Shira Samuels-Shragg who will be the new London Philharmonic Orchestra’s Fellow Conductor for 2026/27!

During the season she will be fully immersed in life with the LPO, working closely with the Orchestra and learning alongside their Principal Conductor Edward Gardner. We can’t wait to see what she brings to the podium! 🎶

@shirasamuelsshragg @londonphilharmonicorchestra

Today we celebrate the birthday of one of the greatest and most influential dancers and choreographers of the modern era, Vaslav Nijinsky.

With his groundbreaking work with the Ballets Russes, Nijinsky revolutionized modern dance and captivated audiences with his extraordinary virtuosity, expressive depth, and seemingly gravity-defying leaps.

In tribute to this legendary figure, Marco Goecke created a ballet dedicated to Nijinsky. We are excited to tour the Latvian National Ballet with this production to the Bartók Spring Festival in Budapest on 2 and 3 April 2026.

@latviannationalballet @marcogoecke @mupabudapest

Giuseppe Verdi’s A Masked Ball comes to the Edinburgh International Festival in a concert performance conducted by Gianandrea Noseda, leading the Orchestra and Chorus of the Opernhaus Zürich.
This gripping political drama unfolds through some of Verdi’s most inspired music, combining lyrical intimacy with moments of powerful theatrical tension. Two stellar casts alternate between performances, with ill-fated lovers Riccardo and Amelia played by Stephen Costello and Elena Stikhina (26 and 30 August), and Piero Pretti and Erika Grimaldi (27 and 29 August).

📍 Edinburgh International Festival
🗓 22 August 2026

#AMCtour @operzuerich @edintfest @gianandreanoseda @scostello929 @elenastikhina @pieropretti @erika_grimaldi_soprano