Harpsicord
& Direction
Ottavio Dantone graduated in organ and harpsichord
from the Conservatory "Giuseppe Verdi" in Milan. He began his
career very young, dedicating his studies to early music and
collaborating with various orchestras and acquiring considerable
experience in basso continuo, the art of which he is now considered an
authority.
In 1985 he was awarded the Basso Continuo prize at the
International Paris Festival and in 1986 he received an award at the
International Bruges Festival (two of the most renowned harpsichord
festivals in the world), being the first Italian to have achieved this
recognition at international level for the harpsichord.
He has an intense concert activity, both as
harpsichord and fortepiano soloist and as conductor of orchestra and
ensemble.
Since 1996 he has been Musical Director of the
Accademia Bizantina in Ravenna, with whom he had already been working
since 1989. He has toured in Europe, the United States, Israel and
Mexico and has been guest at the most important Italian and foreign
Concert Associations (Concetgebouw of Amsterdam, Cité de la Musique of
Paris, International Muisc Festival of Istanbul, Metropolitan Museum of
New York, Holstein Festival, Lingotto Auditorium of Turin, "Teatro
Lirico" of Cagliari, Ravenna Festival, Bologna Festival,
"Accademia di S.Cecilia" of Rome, "Accademia
Chigiana" of Siena, G.O.G of Genoa, "Musica e Poesia a
S.Maurizio" of Milan, "Amici della Musica" of Perugia,
Ferrara Musica, "Settembre Musica" of Turin, "Accademia
Filarmonica della Scala").
His activity includes many television and radio
recorded performances in Italy and abroad. He has recorded both as
soloist and conductor and basso continuista. In particular, Dantone's
recording of "Sonate di gravicembalo" by P.D. Parisi has been
awarded by the Italian critics as best record of 1998.
He has been chosen by Riccardo Muti to direct at the
Scala Theatre in Milan the Opera performances "Nina pazza per
amore". He holds specialist courses for harpsichord, chamber music,
basso continuo and improvisation.